Saturday, 10 April 2010

PAPER CONSIDERATIONS PART THREE

Well here we are with the third and final part of my Paper Considerations post. Lots of pictures here but I think it completes the story and shows how I am beginning to develop some of the work.
On the last post I showed you some catwalk images. It was an extremely rewarding day and one which made all of the hard work worthwhile. Speaking personally, creating a garment for the catwalk is special and most likely an opportunity which will not come along again, so to be able to record and share the experience in this way has been quite valuable to me.

The following collection of photos were for the 'photo shoot' which was part of the criteria for the module. All taken by me on a very hot day and modelled by a very patient person. This all had to be completed in one afternoon and as we were celebrating the Art School I stayed on site.

Everything is here, the corsage, the necktie, the fans, the head dress and the paper bodice. The skirt with all of the paper fans rustled in the breeze.



These were the little books I made using all of my photos from the Social History aspect. Each page was threaded together and then I added large bunches of thread and some hand painted antique buttons. I hung them from the skirt to allow the story to become complete.

A trail of fans hung down the back inspired by a dress at the Queen Maud exhibition.

Detail of one of the circles made from pleated prints taken from the photos of the faces on the skirt which you will see later. Yards of knitting pulled together formed the flower.



The end of the shoot, walking through the giant canvases worn out and weary.
A great experience and one with a purpose which gave me the incentive to keep going. To have the opportunity to make this dress and indulge all of my passions for historical reference was completely inspiring. Quite often my work is a collage of ideas which I was often criticized for, it was often seen as not having the ability to make a final decision about a design. Obviously to me everything made sense and was there for a good reason. I often wonder what my style actually is and admire designers who are able to develop and stick to a recognizable outcome, but now I am beginning to wonder whether collage style is me and always will be and is there actually anything wrong with that. At the moment I am working very hard to refine some of my designs and who knows, perhaps one day I will have the answer.

Above is actually a strip of wallpaper which the college printed for my final display. I am very proud of this strip of paper because to me creating wallpaper is the ultimate challenge.

A photo of one of the pleated shapes. I like to look for a different angle.

And look what you can do with it in photoshop.

What next?
Well here are some of the photos I took of the skirt and pleats. Of course I had to put them in photoshop.






I was just learning how to use photoshop here and amazed at what could be achieved.



You can see how the texture of the fabric has created pattern. This large eye creates a lovely repeat pattern.

As soon as I took the photo of this pleat on the skirt I had a feeling it would repeat well.

And it did. Above is what I consider to be my most exciting repeat patterns to date and really unexpected, I like to think it is quite cool. It's always a challenge to create something for teenagers, especially boys but I can imagine this on a t-shirt. I don't think it really matters if it doesn't make sense. There is a heart there and an eye, what more could you want. This image is under 'weird' in my file, I need to think of something better.

This was part of my stall at the Woodbridge Vintage and Contemporary Market. Here you can see some of my new designs for cards and badges taken from the Paper Dress photos. The large eye card and badge was very popular, one customer liked it because it was unusual which is always a good sign and it's great to hear peoples thoughts about new work.

After sharing this 'Paper Considerations' experience with you I can imagine that the collection of items on the stall above all seems very tame doesn't it, but this is just the beginning. My aim this year is to develop these images into contemporary products, I need to remain focused and think beyond the obvious. I know these patterns have potential, but what to do with them is always the big question.
My daughter made a very profound statement after the arrival of my new badges, she said ' I think they are great Mum and I think other people will like them too'.
That's the key isn't it, and the question to always ask about a new idea. I like it but more importantly will others. Back to that very tedious but essential question from any Business Manager, 'Who is your target market'. I love designing but I would much rather leave the difficult questions to someone else because I never know the answer I always feel I am guessing.

So here's to the future everyone, who knows what might turn up.
Ha-Pea Handmade to you all.
Adele

Saturday, 6 March 2010

PAPER CONSIDERATIONS PART TWO

Part two of my Paper Dress post will take you through the design process and the methods I used to achieve the final outcome. I had great fun making this dress, I learnt a lot along the way and hope you will agree that the end result is 'A TOTAL WORK OF ART' celebrating the people and the culture - old and new at the Art School.

THE CORSAGE
The photo above shows the old bobbins leant to me by a tutor, they were perfect for my corsage idea. The corsage played quite a big part in the Queen Maud exhibition I visited at the V&A. Every outfit had one and each one told a story. A perfect idea for my dress, so I thought I would make one which represented every day life at the Art School.
I strung together the abandoned bobbins quite randomly as I had found them in the tin, full of cobwebs and rust. The bundle of coloured wool was about a years worth of cut off leftovers on the underneath of the knitting machine. A wooden V&A pencil and the Art School shop paper bag my paintbrushes came in represented the modern along with the red and white plastic tape measure. The tiny hand painted vintage wooden buttons seem to represent care and consideration. I also included my looped knitted tube from the linen thread which I bought at a Medieval Fair. I attached the whole thing to the long linen thread bobbin and that was my Arts and Crafts corsage complete.



A few Fashion and Textile images. Comforting images of bobbins giving a sense of vision and creativeness.


The Crafts Council and a project for passing visitors to take part in on a giant scale. Wouldn't it be great to have one of these at home. These giant tubes inspired the idea for creating flowers and hangings for my paper dress.


Firstly though I had to figure out how to obtain the same effect on the knitting machine. Interesting structures can be achieved just by using a variety of threads.
The knitted flowers for the centre of my paper fans took some doing but they created a lovely contrast against the pleated paper.


Pleating the fans and circles took hours but was well worth it. I used thick tracing paper and sheets of printed photos from my social history collection you can see in part one. They were quite important for adding the wow factor and also created a rustling sound.

More pleats sewn into the skirt, this time including the words 'GESUMKUNSTWERKATOTALWORKOFART'

THE BODICE
I used the linen thread on the knitting machine to create a halter neck for the bodice. The linen knit and the sack like texture it creates is a nod to the Arts and Crafts and the workers with their natural resources, contrasting against the stark crisp pleated machined paper.

Pleating the parking tickets was unexpectedly enjoyable. With every pleat part of the daily frustrations and anger that these things caused was released - very therapeutic. The parking ticket, the modern element which created a beautiful frill for the front of the bodice.

The tickets thread very well through the knitting and when grouped together hold in place independently.

The pencil and the sharpener stood out quite strongly as part of my vision for everyday life at the Art School. This didn't go down well with everyone though. Apparently I had been doing it wrong all these years, not sharpening my pencil with a blade that is. Well, that was something we always did in life drawing but not in the drawing office so I made the decision to include the sharpener.

Now this frill was extremely long and a real test of commitment. I hand drew every one and then added colour with the sewing machine. The result adds a great sense of fun.


I love the hand crafted appearance of this bin. I experimented with this photo in photoshop and who would have thought that the bin bag was hiding a lovely heart. This image represents my love of art and design and the unexpected. I heat pressed lots of these images onto another frill and combined it with my hand drawn faces. The faces in the crowd and the art and design frill offered even more unexpected images which I will include in part three. The inspiration for the faces came from the Matisse exhibition where I saw for the first time his black and white drawings.
Heat pressing is really useful, quite expensive, but opens up a whole new avenue of possibilities. The image is printed onto special paper on an ordinary computer printer, placed on the fabric and then pressed in the heat press which transfers the image.




I heat pressed dozens of my photos onto two of the frills. One I drew frames round to look like a notice board. On the other frill I printed the images much larger and asked students to sign it. Everyone enjoyed taking part and the idea worked towards making everything real and worthwhile.


The machines I used to cut, edge, turn and gather the miles of frills were quite amazing and made life so much easier.



Everything sewn together and ready for the catwalk.


The final dress representing 100 years of the Art School.

For Part Three I will show you the final photo shoot pictures which include the little books I made and more of the fans.
Adele